Born
in the mid sixties, Michael left school and spent his time
travelling, taking photographs. 'I always had an obsession with
any kind of image so it made sense to become a photographer' He
is completely self taught, having rejected the conventional way
of learning.
'I have never been interested in the style displayed in many fashion
magazines, so empty, contrived and pretentious. I have always maintained
that the more you add in terms of lighting, make-up, props etc the
more you devalue the photograph. If the image is to have any real
value it has to be truthful.'
Michael struggled at the beginning of his career. His approach
seemed too direct, too simple. Now his style has become more accepted
and sought after. With Richard Kern, Corrine Day and Terry Richardson
as his contemporaries photography has forced the realisation that
there is more to a fashion picture than shiny hair and mascara.
'The model is the most important element in my work. Whether I am
walking the streets of Paris or sitting on the Moscow Metro I am
constantly searching for that 'face'
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